Synth pop trio Chvrches raise their game on their record Screen Violence. The Glasgow based band truly shines and conquers, and the balance of strong, somewhat pessimistic lyricism with symphonic layers keeps it interesting. And after their less than impressive previous album Love Is Dead, the trio has elevated their sound to fit the masses. Love Is Dead was a mixed bag, as some songs worked, and some fell through the cracks and didn’t return to the top. Screen Violence champions riveting song-writing and even touches on personal themes.

Lead singer Lauren Mayberry sounds invigorated. The lyricist has written some deep stuff too, lyrics regarding self-image, the toxicity of relationships, and the overbearing feeling of sorrow. She is a fantastic lyric weaver, and they all instill self-reflection in the listeners. These words will resonate with people, they will give many women a chance to air their voices and feelings.

Screen Violence isn’t a rose-tinted record. It is heavier than previous albums; it is darker and more of a statement. Mayberry sings with intent, bashfully orchestrating her voice and wisdom. Through these songs she turns the gears and conveys pain. Something has clicked in her, agony has erupted, anger has come to the fore.

This massive record has many songs to ponder over. Songs that truly outdo prior contributions. Screen Violence is a colossus. Cynical vibes ensue on “California,” a song that spearheads the brilliance of Mayberry’s vocals and timing. The synth sound and percussion add stability. “How Not To Drown (Feat. Robert Smith)” is a highlight and includes the vocals from The Cure frontman. Mayberry sings fluently and her lyrics spike through. “Final Girl” is a bold declaration of secrets. Mayberry sings yet again about pain and self-image. The instrumentals are loud here, and they are infectious. “Lullabies” darkens the water. It is a personal track, with Mayberry singing openly about her body. She is terrified.

Chvrches reveal all here. Screen Violence is a dark listen and one that tells tales of personal strife.

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