Legendary in their field, Slipknot has been a mainstay for years. A band, that deliver an extreme side, is back with The End, So Far, and it’s a story driven masterclass in song-writing. Leading man Corey Taylor sounds revitalised and his style hasn’t faded, and his persona is still so strong. By leaning on his poetic mind, he has instilled words of fury into this collection. Paradise will not suffice either, and the world hasn’t got a clue.

The album is a purposeful stretch forward and there are even glimpses of the old times shimmering through, which is a treat for the faithful who have stuck by the band since day one. Featuring highly technical guitar parts, too, the faithful will love what they’re hearing, and Slipknot may gain new followers as a result.

The End, So Far hits against the grain as well. And it’s a stab at despair, as Taylor sings freely about his world and its challenges. Screaming and shouting, he doesn’t deter from losing his mind on occasion, and while he does, the fabric of Slipknot only grows further.

This goliath album has 12 songs. Adderall is surprisingly slow and subtle, and starts as a taster for what’s coming. Many fans may be perplexed by the sombre push for grace. Hive Mind begins with stark intentions, and the strong guitar influence plays out as the vigour grows. It’s a typical Slipknot song. Heirloom opens with soft percussion and then falls into a crushing, unconventional sound. Cory sings cleanly here, and the dramatic conclusion demands attention.

Slipknot deliver on this record, and it carries enough venom and substance to be credited.

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