Counterfeit Madison – Opposable Thumbs

By Ryan G

Words: Ryan Getz

Every central Ohio based publication seems to be writing about Counterfeit Madison. But, sometimes there is a bandwagon for good reason.

I’m only on the second song of the record as I type this sentence and I suddenly recall reading that fifty labels rejected this album before the tried and true Columbus indie label picked up the album. I am pissed! Is the whole indie industry on crack? Counterfeit Madison (given name Sharon Udoh) sounds a little angry herself in those last few notes of “Like One and One and A to Z,” come to think of it.

The album takes us to church right from the get-go, whether it’s a proclamation that “I’m gonna shout” in the opening track or the gospel-choir oriented “Light Switch.” Counterfeit Madison has a way of presenting her craft to the masses that is palatable yet boldly proclaims her story and identity – in this case growing up in a church environment. Gospel music isn’t something that everyone likes (hard to believe, I know) but Sharon manages to craft an inspirational tune that will probably make the most hardened of hearts question their atheism for a minute, even if they’re simply praying to the God of rock and roll. I think I can talk about hypothetical gods as a Christian, right?

If “Light Switch” is taking us to church “I Hope It’s Alright” is the Counterfeit Madison mantra that ought to follow her the rest of her career. It’s a collection of statements rejoicing in that there is a way one can pursue life that is relatively carefree and free of burden – it’s about your attitude. That is, don’t worry about being judged. As a famous Jesus guy once said, “Don’t worry about tomorrow – tomorrow will worry about itself. Each day has enough troubles of its own.” Sharon’s way of expressing that mindset is a very colorful declaration that “I don’t have to give a shit!” It’s hard not to give a little fist pump when you hear that joy in her voice.

I really appreciate the way this album seems to defy labels. Others have already name dropped a whole bunch of genres so I won’t do that, though. What brought my mind to this point, ironically, is the similarlity in how the album starts and ends – bouncy and airy, yet chock full of muscle at the same time.